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Journal of English Literature and Cultural Studies



Volume 2, Number 3 (2019-7)


Beyond Aesthetics: Indigenous Festivals in the Age of Internet
| [Abstract-EN] | [PDF-FA] | [XML] |

The Aging Poet and Death Anxiety Art as Existential Therapy in John Pepper Clark’s of Sleep and Old Age
| [Abstract-EN] | [PDF-FA] | [XML] |

Society of Men or the Danger of Female Forces in the Victorian Fiction of Imperialism
| [Abstract-EN] | [PDF-FA] | [XML] |

The Detection of Morality Crisis in Eugene o’neil’s the Rope
| [Abstract-EN] | [PDF-FA] | [XML] |

Listening Comprehensions Problems and Strategies Used by Intermediate EFL Learners
| [Abstract-EN] | [PDF-FA] | [XML] |

Nigerian Home Videos as Panacea for National Development
| [Abstract-EN] | [PDF-FA] | [XML] |

An Evaluation of Chinua Achebe’s Things Fall Apart and Arrow of God in Light of Ngũgĩ wa Thiong'o’s Essay “The Quest for Relevance”
| [Abstract-EN] | [PDF-FA] | [XML] |

Volume 2, Number 2 (2019-4)


‘Unsoldiered’ Soldier or Alternative War Narrative?: Modernist Epistemes in Ernest Hemingway’s A Farewell to Arms
| [Abstract-EN] | [PDF-FA] | [XML] |

Display of Sisterhood in Selina Hossain’s Ghumkature Ishwar
| [Abstract-EN] | [PDF-FA] | [XML] |

An Intercultural Approach to Textbook Analysis: The Case of English Result
| [Abstract-EN] | [PDF-FA] | [XML] |

The Altered Concept Of Heroism In Femi Osofisan’s Morountodun And No More The Wasted Breed
| [Abstract-EN] | [PDF-FA] | [XML] |

Clive Barker’s Sacrament and the Future of Queer Lives during the AIDS Crisis
| [Abstract-EN] | [PDF-FA] | [XML] |

Independent Systems of Ideology: Evelyn Waugh’s Decline and Fall
| [Abstract-EN] | [PDF-FA] | [XML] |

Using Drama and Participatory Methods to Investigate the Influence of Poverty and Traditional Practices on Health Seeking Behaviour of Tiv Women
| [Abstract-EN] | [PDF-FA] | [XML] |

Volume 2, Number 1 (2019-1)


An Appraisal of ‘Facebook’s Global Peer-to-Peer Campaign on Challenging Violent Extremism’ in Nigeria: The SOAR Peer-to-Peer Project
| [Abstract-EN] | [PDF-FA] | [XML] |

“If I have an egg, what more can I want?”: The Metaphorical Representations of Eggs in Margaret Atwood’s The Handmaid’s Tale
| [Abstract-EN] | [PDF-FA] | [XML] |

Challenges Of Directing The Child Actor In Nigeria: A Consideration Of IbukunFasunhan’s Production Of Moremi
| [Abstract-EN] | [PDF-FA] | [XML] |

Indigenous Art: A Redefinition
| [Abstract-EN] | [PDF-FA] | [XML] |

A Critical Discourse Analysis of the Moral-Boosting Songs and Chants of Soldiers in 14 Brigade Barracks, Ohafia, Abia State of Nigeria
| [Abstract-EN] | [PDF-FA] | [XML] |

Fagunwa and the Regeneration of the Òrúnmìlà Muse
| [Abstract-EN] | [PDF-FA] | [XML] |

Volume 1, Number 1 (2018-10)


Bridging the Interface between Science and the Humanities Through The Use Of Film in Solving Human Problems
| [Abstract-EN] | [PDF-FA] | [XML] |

A Stylistic Explication of Linguistic Innovations in Chimamanda Adichie’s Americanah
| [Abstract-EN] | [PDF-FA] | [XML] |

Linguistic Forms In Teacher Feedback Comments On Students’ Essays In Colleges Of Education In Ghana
| [Abstract-EN] | [PDF-FA] | [XML] |

A Comparative Investigation into Formulaic Expressions in EAP Textbooks: The Case of Social and Hard Sciences
| [Abstract-EN] | [PDF-FA] | [XML] |

Neocolonial Agonistic Feminine Identity in Claire Messud’s The Woman Upstairs
| [Abstract-EN] | [PDF-FA] | [XML] |

Black Identity and Struggles for survival
| [Abstract-EN] | [PDF-FA] | [XML] |


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